❁
Co-organizer with Clara Pacotte of EEAPES, a publication of translations of Science Fiction texts mostly by women
❁
publishing and co-publishing project
Everything but the signature is me, James Tiptree JR
Ciné-club Totale Dérive was created during Charlotte Houette and François Lancien-Guilberteau’s summer of 2021 stay at the Studio of the South residence in Arles. Beginning with the desire to open the domestic space to the inhabitants of Arles, Houette and Lancien-Guilberteau invited friends or new acquaintances to introduce and screen a favorite film, transforming the residency’s studio space into an improvised cinema. Each programmer wrote a text about their choice, which the duo published in the form of a fanzine distributed at each screening. This book compiles the nine fanzines.
Contributing writers:Charlotte Houette & François Lancien-Guilberteau, Mona Varichon & Salma El TarziJulie BeaufilsAntoine Trapp Melanie Matranga Clementine Adou & Julien Monnerie Gary Indiana Asha Schechter Laura Owens
Elephant’s Leg, September 2022, Tonus with Juliette Bonneviot and Chino Amobi
Other People’s Clothing , March 2022, Les Bains Douches, Alençon curated by Fiona Vilmer
with Pati Hill & Kevin Desbouis
Cocotte, 2021, Treignac, France, Solo Show, curated by Louise Sartor
Paradis par Claude Balls Int
Maison R&C, 224 Rue Paradis, 13006 Marseille avec Bernard Bazile, Dan Graham, Morag Keil, Olga Balema, Jacqueline Mesmaeker, Bradley Kronz, Nina Koennemann, Yuki Kimura, Heji Shin, Gladys Clover, Henrik Olesen, Gérard Traquandi, Win McCarthy Sturtevant, Nicole Antonia Spagnola, Bedros Yeretzian, Michèle Graf & Selina Grüter, Megan Francis Sullivan, Richard Hawkins, Tonio Kroner, Angharad Wiliams, Marie Angeletti, Peter Fend, Jimmie Durham, Camilla Wills, Robert Filliou, Marc Kokopeli & Jeffrey Joyal, Dennis Cooper, John Knight, Nora Schultz, Stéphane Barbier Bouvet, Richard Sides, Michael Callies, Lily Van Der Stokker, Mat Browning, Hélene Fauquet, John Kelsey, Adrian Morris, Eva Steinmetz, Matthew Pang, Enzo Schalom, Matthew Langan Peck, Peter Wächtler, Anna Rubin, Gene Beery, Michael Van den Abeele, Georgia Sagri, Robert Grosvenor, John Miller, Sarah Rapson, Cathy Wilkes, Simone Forti, Charlotte Houette, Ye Xe.
Studio of the South invited by Laura Owens, Arles
Totale Dérive Ciné club with françois Lancien at Studio Of the South, Arles
Captain D. Case Fog, Treignac Project, 2020, curated by Sabrina Tarasoff
Yale Union/EAAPES, March 2020, Portland, USA
Tonus, October 2019 Group Show curated by Tonus
Garland, Group show curated by Sabrina Tarasoff, Treignac Project, June 2019
Let’s Play House, workshop organized by The Cheapest University
Les Peintres, group show curated by Non-breaking space, La Tôlerie, Avril 2019, Clermont-Ferrand, France
EAAPES at UMWELT for KLIMA Magazine, 2019, Saint Denis, France
Villa Vassilieff, Decembre 2018, Paris, France
Book launch of EAAPES#2, invited by Mélanie Matranga
Waiting to Speak, group show curated by Sam Basu, Treignac Project, July August 2018
Solo presentation, invited by Céline Poulin, CAC Brétigny, March 2018, Brétigny, France
Paris Ass Book Fair at Palais de Tokyo #EAAPES Talk, April 2018, Paris France
What’s in my bag, discursive program organized with The Cheapest University for Paris Internationale art fair, Paris Internationale, Paris, France
VideoBox#5 : The Cheapest University, curated by Maela Bescond Le Carreau du Temple, July 2017, Paris, France
On Color, Organization of a lecture by Amy Sillman with After 8 Books, book launch of the french translation of On Color, a text by Amy Sillman, Le Carreau du Temple, June 2017
On ne choisit pas sa famille, group show, curated by Louise Sartor, Cocotte, April 2017, Paris, France
La classe fantôme, workshop organized by The Cheapest University, Treignac Project, June 2016
Madame X, exhibition with Hélène Baril, la Villa Belleville, March-May 2016
Cheaptalks, lectures organized with The Cheapest University, La Villa Belleville, June 2016, Paris France
Recto Verso, group show, Fondation Louis Vuitton, March 2015, Paris, France
Group show, curated by Jérémie Grandsenne, La cité des arts de Montmartre, April 2014, Paris, France
Du pain et des Jeux, group show curated by Corentin Canesson and Damien Le Dévédec, École Supérieure d’art de Bretagne, September 2014, Rennes, France
Desejo e tornado visivel pelo destinatario, curated by Corentin Canneson, Stramonte, 2013, Lisbonne, Portugal
Vous vous foutez de nous, Biennale de Belleville, curated by Jason Hwang and Romain Chesnay, Shanaynay, Avril 2012, Paris, France
Mobile device, group show, Bodega Gallery, 2012, Philadelphie, USA
Mapping the Studio Again, group show, Le Moins UN, 2010, Paris, France
Tenants, curated by Jason Hwang and Charlotte Houette, La Fonderie, 2010, Paris, France
Le Cheval de Troie, CAES, avec Alicia Vaysse, group show, 2010, Ris Orangis, France
__
Studio Of the South, LUMA invited by Laura Owens, 2021
Lafayette Anticipation EAAPES, A l’Oeuvre, 2021
Ateliers Duplan, Pact(e), 2019
Soutien à un projet artistique, CNAP, 2019 (EEAPES)
La Villa Belleville, 2016
Shanaynay, Treignac Project, Treignac France, Juillet 2014
SELECTED TRANSLATIONS AND PUBLICATIONS
Joanna Russ & EAAPES, Selected texts/preface by EAAPES, Ed Cambourakis, 2020
Amy Sillman, Faux Pas, Translated Texts by Amy Sillman, After 8 Books, 2020
Reader#5 EEAPES, 2021
Reader#4 EEAPES, s, 2019
Reader#3 EEAPES, , 2019
Anne Boyer, Selected texts, co-edited by The Cheapest University/After 8 books/Betonsalon
Initiales N°12 Sylvère Lotringer, I love Dickinson, The Cheapest University, published by école nationale supérieure des Beaux Arts de Lyon
How to become a soft corpse recomposed in light fabric, DQ Press, Madame X avec Hélène Baril collection Dear Queer, 2018
How to become a lesbian, DQ press, collection Dear Queer, Polly Wall, Port Marly, 2016
Reader #2 344P35, texts translated from Sisters of The Revolution, Jeff Vandermeer (ed.), 2018
Reader #1 EAAPES, texts translated from To Write Like a Women by Joanna Russ, 2018
__
Mousse Magazine 63, Ghost Stories of almost Nobody by Sabrina Tarasoff, April 2018
__
FRAC POITOU CHARENTE, 2021